Avatar Letting the new year in

We are about to find ourselves in 2025, the quarter-way mark of 21st century, a bewildering thought for those of us who still think of the 21st century as some weird new thing and the 20th century as a kind of default.

Since 2025 is going to be rung in nationwide with the traditional combination of drinking, forgetting the words to Auld Lang Syne and feeling like new year never lives up to the hype, it feels like a good moment to look back at the moment, 25 years ago, when we rung in the new millennium.

You join 16-year-old Chris at his aunt and uncle’s house, this being the venue for the family’s new year celebrations at the end of 1999. Most of the family is here, at a big house in a village near Selby. Music is playing, drinks are flowing, and every conceivable surface is creaking under the weight of bowls of nibbles and snacks.

My family has a longstanding tradition – much beloved of my grandma, who is here somewhere, probably on one of the La-Z-Boy recliner chairs in the living room with a glass of Bailey’s – that the new year must be “let in”.

This tradition stipulates that good luck will befall the family for the coming year if the first person to open the door and cross the threshold on the first of January is a tall, dark man bearing symbolic gifts. Should anyone else be the first to open the door and “let the new year in” – a chubby ginger toddler, perhaps, or a fair-haired woman of merely average stature – the year would be beset with problems. My grandma often told a cautionary tale of the year she absent mindedly unlocked the front door and went into the house first, only to find she had let the new year in herself. Nothing went right that year.

For many years my grandad was nominated to let the new year in. He was an imposing figure, a senior policeman over six feet in height with a no-nonsense jawline and black hair. Luck was always on their side when he turned the door handle. But over the years the duties were shared out. Once he had grown up my dad got to do it sometimes, or his brother. At my aunt and uncle’s house my uncle – not easily described as “tall”, but certainly dark haired and a man – would do the honours.

Anyway, the millennium was considered a special event. I was 16, and to my surprise was asked to let in the new year. The news was broken to me in hushed tones, a coming-of-age moment and a sign that I was joining the grown ups.

At about ten to midnight, I put my coat on and was handed the gifts I was to bring in. There was the shiniest coin anyone could find, to bring wealth; a match and a piece of coal, to bring warmth; and some food, to bring food or plenty or something like that. And with my pockets duly stuffed, I stepped out of the door.

Not much was happening outside, so I walked round to the living room window, where I could see everyone inside and could make out the Hootenanny on TV. The cat was sitting on the windowsill so I gave him a scratch under the chin. After a while, the moment arrived, there was much cheering, and inside the house glasses were clinked and hugs were exchanged. In the distance some fireworks started to go off. I then made my way to the front door to let myself and the new year in. It was locked. Nobody had put the Yale lock on the sneck, so when I went out it had locked itself.

I knocked on the door. Nobody was in the kitchen. I rang the bell. Nobody could hear it over the music. I went back to the living room window. Nobody was looking. Eventually, when there was a lull in the music, I banged on the double glazing, someone finally saw me, and there was a stampede to the door as it dawned on the party that one of their number had been standing outside since the previous century.

When the door finally opened, I’m not sure whether it was me or the cat that actually let the new year in. But I can make the claim that, 25 years ago, I saw in the new millennium standing on my own, in a front garden, and holding a match, some coal, a slice of white bread and a 50p piece.

This year I intend, once again, to be safely inside a warm house when the fireworks begin. Having tried the alternative I recommend it. Wherever you are, have a very happy new year. And don’t forget your lump of coal when you step through the front door.

Avatar Nine million minutes ago

It’s hard to believe it, but it’s been slightly more than nine million minutes since the first time Kev travelled down to London to visit me in my poky Mortlake flat. (If you prefer more conventional time measurements, like some sort of idiot, that equates to 6465 days, or 17 years, eight months and 13 days.)

Obviously we used our time together extremely profitably. Among our many intellectual and sporting pursuits, we found time to spend quite a while – several hours, in fact, judging by the timestamps – taking pictures of ourselves with my iMac’s photobooth software.

Here are some highlights of a couple of very youthful idiots having a laugh nine million minutes ago.

Avatar One from the Archives – “Lyrics”

What do you do when you have a habit of keeping almost every scrap of paper that either someone wrote something on or drew a silly picture on? Eventually you have no choice but to sift through that paper and determine what stays and what goes.

As a parent, I was duty bound to keep a lot of Reuben’s pictures. Some were merely because they were cute and reminded me of simpler times, others were because they were downright weird and prompted referring to a psychiatrist for confirmation as to whether it was time to call the men in white coats. Shame you can’t call it a looney bin anymore because it’s not politically correct. It’s not a real bin full of loonies, how would anyone ever confuse a large building full of crazy people with a bin? Silly. I suppose looney building doesn’t have the same ring to it. “I’m going to put you in a looney office,”

Mixed in with some frightening scribbles of monsters ripping people in two and an invention of mine called the ‘Scuba Umbrella’, I found some hand-written lyrics for two of the Papples most played / most requested / best loved songs of all times: ‘Mincey Beef’ and ‘(Do it)’, the latter of which is a lot harder to type at 11pm at night.

Does it offer an insight into the collective minds at work? Does it share the rare genius hammering out the hits during a prolific time in their career? Not really. The top left-hand corner reveals what I think I was trying to crowbar into the song: mince, beef (obviously), nen tosh, Shergar (?), Aberdeen angus and no neddy beef. The rest is pretty much the lyrics of the song verbatim with the odd tweak here and there, no doubt as a result of hours of sweat and toil in the recording studio working out the best arrangement.

Let us not forget the immortal words: “Beef is back, meat attack.”

‘(Do it)’ is less interesting because there was only two strips of lyrics and nothing on the back. These were probably used as the starting blocks of the songs because they were transferred to somewhere more permanent, a larger piece of paper or a notebook, or maybe even a word document. It’s hard to remember the long ago times as we all know.

Avatar Dangle a dongle

A dongle is a gay wooden jigsaw puzzle designed to hang on the wall.

It comes with your own initials carved out of it.

And you can choose whether you have a bird, cat, dog, Christmas tree, train or flower motif at the bottom.

Directions: use paper and an envelope. Enclose 80p for each letter of your initial or name.

Ask for: a dongle. State the initials and motif that you want.

Write to: Dept FSFK, Puzzleplex, Stubbs Walden, Doncaster, South Yorkshire, DN6 9BY

Avatar Kev up in a brewery

The other day we went to a brewery and made some tasty beer. You know that, of course, because if you’re reading this, you were there.

Anyway, I have now published photos of this excellent day in the Photos section, so that the three of us, and Sarah, can see what we got up to all day. It was one of our best days for photography.

I also had a great plan to edit together a video using all the footage we shot on the day, but despite having coined the new catchphrase “get a video”, we seem to have only created three videos. One of them was in portrait and was just me pulling a pint with nobody saying anything, so having skipped that, there were just two videos.

Not to be put off, I made a video out of them anyway. It will only cost you three minutes of your life. Please enjoy.

Avatar One from the Archives – ‘You Don’t Weep’

(A cynical young man sits at a table judging, that’s you (Kevin), and two men walk past).

Chris: Look at that cynical young man there.
Ian: What’s he doing?

(Intense close-up of your (Kevin’s) face)

Chris: He’s judging fruit because even though it carries qualities that can assist with a sexy, varied diet, too much can still mess with your face podge.
Ian: Oh, THAT!
Chris: STOP JUDGING FRUIT, INFANT!
Kev: Leave me alone, let me judge in peace.
Ian: But don’t you realise that fruit doesn’t mean you any harm? It doesn’t have a hidden agenda.
Chris: It’s not out to get you.
Kev: I don’t care! Not enough people *cannot read what the bottom line says due to bad photocopying*
Ian: Look at the beauty of that lemon! It’s perfectly cylindrical, it’s smoothness, it’s balance of danger and sweetness. Doesn’t it make you want to…
Kev: CRY? No. NEVER!
Chris: Surely it must, sir. You are no golem.
Kev: No. I never cry.

(Shock horror: SEVERE GASP)

Ian: He doesn’t cry.
Chris: This imbalance will be bad, awful, awful bad.
Ian: Care to explain with the use of this delicate pulley system?
Chris: No. Follow me.

(Ian and Chris walk offscreen to a white board)

*Presumably Chris is talking* Man. Man doesn’t want to cry but he does. He has to or this happens.

(An explosion goes off)

Ian: What was that?
Chris: That’s what happens when you try to fuck with nature.
Ian: Oooooooooooooooooooooooo.
Chris: To put it like this, if man does not cry, the emotional chumblies vibrate and vibrate. If liquid is not spilt then they catch fire and the whole body explodes.
Ian: Science is mean!
Chris: It sure is, Timmy.
Ian: It’s Ian.
Chris: Okay.

(Back to Kevin) (?)

Ian: So this man needs to cry.
Chris: Exactly.
Ian: So how do we do that?
Chris: If science can cause a perfectly healthy individual to explode then science can also be harnessed for good.
Ian: Holy pickles!
Chris: What we need is…

(Quick shots: plunger, onions, copy of the film ‘Steel Magnolias’)

Then all we need to do is…

(Chris plungers the side of Kev’s head, then he rubs onions into his eyes, lastly he shows him a copy of ‘Steel Magnolias’ on the telly)

Ian: It sounds easy.
Chris: It’s already done (close up of Chris) Romeo Dunne.

(The cynical man is sat crying at his table)

Chris: Oh dear.
Ian: What’s wrong with him?
Chris: It appears as though the science was too much for him. He’s been turned into a jibbering idiot.
Ian: Is that why he’s sat crying over some knives?
Kev: (between sobs) They just… don’t get the same respect… as forks. It’s so upsetting.
Chris: We may need to think about this some more. He’s gone from one extreme to the other. I expect if you hold anything up in front of him he’ll cry even harder.

(Ian holds up a yo-yo, Kev weeps harder)

Ian You were right.
Chris: We need MORE SCIENCE!

(Quick shots: plunger, iron pipes, a copy of ‘Universal Solider’)

Chris plungers back tough back (?) into Kevin’s head, sticks the pipes down his back).

Chris: Not too much ‘Universal Solider’, Timmy, we don’t want him as cynical as he was before.
Ian: Ten four.

(Kev sits at a table)

Ian: How do you feel?
Kev: I’m not sure. I’m a little teary (pulls a face) but I’m also extremely pissed off at this Kinder Egg. The toy on it is crap.
Ian: Is that a result?
Chris: I guess it’ll have to do!

(Both Ian and Chris freeze in mid-hearty chuckle. Kev falls off his chair)

EPILOGUE

Chris: Crying is perfectly natural. Everyone does it, even pigeons and wolverines. They don’t do it in public but hidden behind those bushes and up on those high buildings they are bawling like bitches.
Ian: Here’s a tip, cry into a towel. It muffles the noise and catches the excess, thus removing the need for tissues.
Chris: Thank you, Timmy.
Ian: How often do you cry, sir?

(close-up of Chris’ face)

Chris: TWICE A DAY. THAT’S WHAT I SAY!

END!

Avatar A slice of 2011

A couple of months ago we took a trip to the ancient world of 2010, when Ian and I were hard at work recording our second album, Masterpiece. Now we’re firing up our time machine again to pay a visit to November 2011, and a series of photos taken during the recording sessions for our third album Pop Squared.

There are three acts to this extremely dramatic album. The first pictures are taken in my old flat in Crystal Palace, as we recorded our brilliant and ground-breaking music. There’s only a few of those. Then we quickly get into a second group, which are pictures we took of ourselves while the other one was getting ready in the bathroom. I think the idea was to get potential album pictures while saving precious time, so I would capture the essence of my music while Ian was brushing his teeth, then we’d swap over so Ian could attempt to photograph the ineffable nature of his muse while I was having a wee. Then after that we went out to Keston Common, where it was very cold and misty, to take some moody outdoor shots, some of which turned up on the album cover.

We took eighty-odd pictures, but nobody needs that, so I’ve slimmed them down to about 50 and stuck them in a new picture album.

I urge you – in fact, I implore you – to take a look at them for yourself, but if you want a taster, there are moments of great joy to be found in there, like these highlights.

Ian really loved his dinosaur hoodie. This was the album of “Dinosaur Gal”, of course, so it was completely appropriate that Ian appears in a dinosaur-themed garment.

We really wanted a picture where I was on the phone and Ian was a dinosaur. We took lots of them. Most of the ones I deleted were like this.

2011 was a long time ago. A long time ago. And we both look so unbelievably young. Look at that hair. Look at that wrinkle-free face. Look at those terrible, terrible shoes. Unbelievable.

Anyway, that’s as much 2011 as we have time for. If I can find any photos from the time we recorded The Eponymous Album, you will be the first to know.

Avatar A Brave Old Beans

This scarcely seems believable, but it’s true: the first post on this incarnation of the Beans was made ten years ago today when Kev published A Brave New Beans. I still think of this as the “new” Pouring Beans, but it’s been running nearly twice as long as the original. This blog, and all it contains, now forms a record of the whole of our thirties.

Anyway, I wanted to make a post marking this slightly unbelievable milestone, so I have taken my inspiration from Kev’s original post. His “A Brave New Beans” was just a test to make sure everything was set up, and it just contains the word “words” repeated 127 times (I counted). So let’s see how many words we have produced in ten years.

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