Four Word Reviews: Kavana

Sometimes, when a deplorable CD arrives in the post, you’ve never heard of the artist or the album and you’ve no idea what you’re in for. Other times they’re known to you in some way. This one immediately rang a bell: “Kavana”, the 1997 album by Kavana. I remember him. He did a cover of “I Can Make You Feel Good”, the Shalamar song. He was a late 90s pop star. Yes. Him. Great, I thought: maybe this will be an easy one. Maybe this will be like Suggs where I remembered one or two songs and the others were just a bit of a laugh.

Middlesax

Seeing how absurdly easy it’s been for Ian to get his turgid prose published, I’ve secured myself a publishing deal for a book of my own. At first I was just thinking about this as a way to rake in some easy cash, but then it dawned on me that I would need to pick something to write about, because ultimately if you want to publish a book you need to bang out a few thousand words.

In the end Ian was, once again, my inspiration. His forthcoming book on Middlesex inspired me to come up with my own literary masterpiece about this lost county. What better than to marry the former county of Middlesex with the history and wonders of the saxophone?

So, I present to you: Middlesax. Featuring:

A long and detailed comparison of Baker Street in north London, home of Baker Street station and Sherlock Holmes – which is located in the former county of Middlesex – with the saxophone solo from Gerry Rafferty’s “Baker Street”.
Lyrics and score for pop songs arranged specially for the saxophone and rewritten to be about Middlesex, including “Say Harrow Wave Goodbye”, “Edgwarever I Lay My Hat That’s My Home”, and “Sexual Ealing”.
Pictures of saxophones and saxophonists in front of Middlesex landmarks, including a tenor sax at Enfield Chase and an alto sax half-submerged in the River Brent. I’m also hoping to get a picture of Kenny G on the steps of Neasden Methodist Church.
A list of places in Middlesex that can be spelled using only notes that can be played on a Saxophone. (So far I haven’t found any.)

Available now for pre-order from Amazon and all other bookshops, but only within the boundaries of what used to be Middlesex. Buy it now!

An Admission of Sorts

As I pulled into the car park, locked the car and headed into Asda I knew I was in a rush. I grabbed the beer I was looking for, paid and made my way back to the car. Asda Radio has a habit of playing a bizarre mix of music no matter what time of day you are there. Running late to a friend’s house the unmistakable tune of ‘Ooh Aah… Just a Little Bit’ by Gina G was audible over the hubbub of other patrons of the supermarket. It took me back to 1996 when this was our entry in the Eurovision Song Contest…

Now we’ve all seen how much of a shambles Eurovision is, perhaps some more than others. As a young impressionable 13 year old I had a lot of free time on my hands. I do remember watching the whole thing because I was convinced that this song, this catchy piece of fluff, created in someone’s studio by faceless music executives and sung by an Australian, not even a native Brit, was going to win. I had a lot of faith at 13; I wonder where it went? I expect it also had a lot to do with the fact that I found Gina G insanely attractive (I was going through a red-head phase, something that has continued to this day). Still, it wasn’t enough for me to actually go out and buy the damn single when it was released, not that it mattered because it went straight to #1 anyway.

Does anyone remember what position the UK got in the 1996 Eurovision song contest? Nope, me neither. I had to look it up but I did know that we didn’t win. The lovely Ireland claimed the crown that year. In my confused teenage rage I drew a picture of a person, possibly me (?), kicking an Irish elephant in the groin. Now this does raise a few questions, the main ones for me are:

Why didn’t I draw an animal that was native to Ireland in the first place?
Was I convinced that elephants came from Ireland or was it the first animal that came to mind?
I can’t draw elephants now; how on earth did I manage to draw one from memory without the aid of Google?

I can still see that elephant now, hands clutching where it’s penis should be, in extreme pain because of my kick to the cohonies. It is as if it’s been etched to the back of my mind, ready to haunt me when the time is right. Yes, I believe the elephant also had hands. Perhaps this is a rare instance of British pride where I wanted to believe that we were good at something and to share that with the rest of Europe.

By the way, have you ever read the lyrics to ‘Ooh Aah… Just a Little Bit’? My favourite line is:

“I’ll give you love you can’t ignore.”

What kind of love is that? The one where you send bits of yourself through the post? The one where you set yourself on fire and jump off a building? It seems a bit full on for what is essentially a song about having a shag with someone.

Luck be a Musician Tonight

I am one of those people who secretly doesn’t know how lucky they are.

That’s a lie, actually.

I am one of those people who occasionally is convinced that luck completely passes them by but, in actuality, it washes up like waves on a beach more often than not. For every instance of not putting one of those new five pound notes in my wallet (everywhere else they jump out and I’m a fiver down) there is something else waiting round the corner, be it a clear run into work on a morning or a one in a mil find on eBay.

Let me tell you about the 23 June 2019.

I am invited by a friend to go to a gig in case someone drops out. I am officially on the ‘waiting’ list so to speak. The closer it gets to the gig it is quite clear that the other person is not coming so the ticket is offered to me, and despite my pleas it is given for free (no, I’m not spitting rhymes over a hot beat, the sentence came out that way). The gig in question is Nick Cave in Conversation at the Sage. I have dabbled in wor Nick and the Bad Seeds over the years with mixed results. This is not the kind of evening that you say no to; you grab it with your sweaty hands and you run away screaming like a frantic, happy loon.

So I turn up and meet the rest of the friends group, who are all rallied round drinking wine, and everyone seems really nice. The usual polite tidbits of conversation are floated round although that doesn’t last for very long because out of the corner of my eye I can see a man approaching. He is coming directly for us.

“How many are in your group?” he says. We all look at each other, we need someone to volunteer as spokesperson. I don’t remember who but a few people stumble up that there are six of us. “Great,” says the guy, “how would you fancy sitting on stage with Nick? You have to be by this door at exactly 7pm (11 minutes time!) and wear these special bands. I’ll run you through the rest of the rules when you’re led to your seats.”

We all look at each other again; what just happened there? There’s not much time to lose though so we all rush to the toilet and head to the door. More stagehands lead us right onto the stage: there are tables set aside with candles on, creating a kind of arc around the middle, which contains a beautiful piano and nothing more. The rules are pretty simple; shut the fuck up, don’t go near him and don’t bother him. Even I, with my primitive brain can handle this.

Nick Cave talks and plays music for almost three hours. He is roughly ten feet from where I am sitting. Nobody is allowed to take photos of him when he is performing meaning that the only memento I have, apart from the ticket and the special band, is a picture of an empty piano with no-one playing it taken about half an hour before it all started. He was amazing, a voice still raw and strong, a plethora of songs all hand-picked on the night, right there and then, whatever people suggest or he feels like playing is done. I have never seen anything like it and I doubt I will ever again.

Four Word Reviews: Voice of the Violin

Plan A for this month’s Four Word Review was Cher Lloyd, obviously. But there is no Cher Lloyd on the CD in that box. So, with some reluctance, I have had to change my plan. I couldn’t face Kavana. Not yet. So where else is there to turn? What might soothe my frayed nerves and calm me after this disconcerting change of plan? I turn back to the pile of dreadful CDs, once again growing at an alarming rate. I pass on Pete Waterman’s Motown collection. Ah yes, here we go. This guy. This guy will do nicely.

Live in concert

For one night only, Pouring Beans presents The Porcelainettes LIVE on stage in the concert auditorium below the bell tower. Don’t miss this once in a lifetime chance to catch one of the world’s most hotly tipped up-and-coming ceramic bands in the plush surroundings of this website!

Featuring great covers of classic sing-along hits such as:

“Livin’ Doll”
Nina Simone’s “Little Girl Blue”
Kraftwerk’s “The Model”
“Achey Breaky Ceramic Heart”
“Tiny Dancer”
Annie Lennox’s “Walking On Broken Glass (And Pottery)”
“Statue Got Me High” (it’s a TMBG song, I don’t expect you to get the reference, it’s just for me really)
“Fade to Grey (Hair)”

And many many many more.

Book now!

Underneath my car

We are truly living in the future now. In the past, when I’ve taken my car to the garage for one reason or another, the mechanics have done things to it and given it back to me, and it looks the same. I just see the shiny outside of the car and not the rest of it.

Well, no more. My new car came with a service plan and yesterday it had its first annual service. And now, apparently, the annual service doesn’t just mean that the car gets checked over and serviced inside and out – it also means that the mechanic takes a video of the underside of your car while it’s up on the ramp so you can see the bits of it you can’t normally see. Then they text it to you and it’s there for you to watch on a special website for ever and ever.

Obviously, I found this thrilling, so I’ve set the video to some music and invite you to join me on a voyage of discovery as we travel… underneath my car.

Mandolin – A Song

Let’s crack off 2019 with something that I should have done in 2018.

I set myself a challenge whereby I was to write and record a song about a Mandolin (the chocolate bar, not the musical instrument) using a Mandolin. I wrote the song words, or lyrics as they are commonly known, and even worked out a basic rhythm with which to astound the listeners with. Sadly, when I tried to record it all on my very primitive phone, it was not good enough. I did expect this to happen, as I don’t own any proper recording equipment like everyone else does, so the project was duly shelved. That said, I do not want to deny the public what is a very beautiful song. Here we are then. Make up your own tune. It’s yours for the taking:

“Hit me, mandolin,
You don’t think that I can handle him so
Hit me, mandolin.
My arms bent over like a pangolin so
Hit me, mandolin.
You see that growing? It’s a dorsal fin!
That’s right, yeah, mandolin,
It’s much, much bigger than a phantom limb.

Oh, trick me, mandolin,
Writing my way to the loony bin.
So strict, yeah, mandolin,
The nurse on hold for my next of kin.
I left my mandolin,
Picking up pieces of a mandarin.
You’re on me, mandolin,
Hiding in shadows like a mannequin.
So leave me, mandolin,
I’m sick an’ tired of ya panderin’.
You heard me, mandolin,
I’m done, it’s over, time fo’ finishin'”

If Pharrell Williams or Dr. Dre are listening, I am free in March to collaborate on any future projects you may have.