A Sensual Awakening

Details of the Papples’ forthcoming fifth studio album have just been released by the group’s vast publicity machine. Fans are eagerly awaiting the new release, which was apparently recorded last month and is undergoing final mastering and production work.

The cover and track list have been made available, and we can exclusively reveal them here on the Beans.

There are twelve tracks, though no word yet on which will be the lead single.

Good Invention
Captain’s Hat
10/10
Leg Jazz
Run With It
Instrumental
Dirty Work
You Can’t Clean a Sieve
Ghosts in the Microwave
Kerfuffle
Tigerplane vs Chickencopter
Swamp Hospital

The band have described this as a “concept album”, describing the tragic life of a reclusive genius. Legendary producer Nizzle is rumoured to have been involved throughout the album’s creation.

Ian vs Crush Songs

Ian: Hello?
Crush Songs: Hello Ian.
Ian: Hello Crush Songs by Karen O. I’ve wanted to listen to you for a while; sorry it’s taken me so long.
Crush Songs: Oh think nothing of it. Now, are you ready?
Ian: I am, yes.
Crush Songs: Are you ready for fourteen songs that all sound the same with the same wibbly wobbly vocals that have been fed through a cereal box and sound as though they were written in five minutes?
Ian: Erm no, I was hoping for a bit of variety.
Crush Songs: Oh.
Ian: Is there something the matter?
Crush Songs: Nothing! Nothing! No it doesn’t matter.
Ian: What is it you’re hiding there?
Crush Songs: Well it’s nothing really…
Ian: So you are fourteen songs that all sound the same with the same wibby wobbly vocals that have been fed through a cereal box and sound as though they were written in five minutes.
Crush Songs: In short, yes.
Ian: I feel as though I should be brutally honest here. That’s very disappointing.
Crush Songs: Would it help if I told you I’m only 25 minutes long?
Ian: No it wouldn’t.
Crush Songs: Would it help if I told you there was a Doors cover on me?
Ian: That just makes it worse.
Crush Songs: Actually ACTUALLY I’ve got fifteen songs on me. The last one is hidden right at the very end like a lyrical treat…
Ian: Right.
Crush Songs: … actually that might still be the last song with a bit of a gap in the middle…
Ian: Look I can see we’re not really getting anywhere here. You’ve not really thought this through. I think you should go back and have a big long ponder about what to do.
Crush Songs: If you insist, okay. I’ll come back shortly with some much better ideas. You watch; I will blow your mind!
Ian: I’m sure you will. I’m just going to put you in this pile with that Good Charlotte CD I found in the street and those duplicate DVDs I don’t need anymore.
Crush Songs: Is it a special pile?
Ian: … sure it is!

My Morning Snap-It

I love blurry photos. For some reason they really resonate with me and even though you may have spent ages keeping your hand steady to get that perfect shot only for it to look as though my eyes have photographed it for you (my sight is really bad…) it still makes me titter like a dormouse.

Yesterday Siobhan and I drove 175 odd miles to Manchester to watch My Morning Jacket. I took a handful of snaps of the gig but this in particular is my absolute favourite:

It made getting back at 2:40am all the better for knowing I had this photo saved in my phone and in my heart.

It’ll never be on the front of a Hallmark card, which is for the best really… you’d feel fairly unappreciated if you received a birthday card with this on the front.

A small but gratifying observation

It has been said, somewhat unkindly, that the EP recently released by The Rapples does not represent the pinnacle of rap music and that, in fact, The Rapples may have tossed it off without much attention paid to either lyrical content (cf. Quick Go), ability to rap (cf. Crash and Burn) or, indeed, bothering to rap at all (cf. Toot Toot Beep Beep).

But these criticisms surely all come to nothing when you realise that one of the songs considered vital to the establishment of rap as a musical form is Rapture by Blondie. The nonsensical, barely rhythmic chatter in that song, masquerading as rap, about an alien that eats cars, is apparently not just legitimate rap but is a classic of the genre.

The Rapples can surely rest easy knowing that, at the absolute minimum, everything on “Space for an Ace” is vastly superior to that.

Album art

The music press has been very excited lately about rumours that The Papples have been working on a side project with their occasional collaborator Kevil – fans will, of course, know him as co-creator of “Dirty Chips”, the top selling track on their last album.

It looks like those rumours were true as news emerges of the formation of a supergroup called The Rapples. They are describing themselves as an urban music collective, set to “revolutionise rap in the same way the Papples have revolutionised pop music”. Their debut EP is due out soon. It’s not yet clear whether legendary producer Nizzle will also be involved.

Details of the track listing and any possible live dates are still firmly under wraps, but Pouring Beans has been granted an exclusive look at the album art, and we can also reveal the title of the EP is to be “Space for an Ace”.

Obviously we’ll bring you more news as this thrilling story develops.

Lost treasures

I’ve been having a clear out this weekend and I found this 20-year-old NOW album:

Nearly 20 years ago I got it for Christmas, along with an Alba mini hi-fi system that had a tape deck, CD player and AM/FM radio. Those were the days. Here’s a selection of the great hits from this double-tape compilation:

Ace of Base – I Saw the Sign
Whigfield – Saturday Night
Corona – Rhythm of the Night
D:Ream – Things Can Only Get Better
East 17 – It’s Alright (The Guvnor Mix)
Aswad – Shine
Reel 2 Real – I Like To Move It
Doop – Doop

Unfortunately when I opened the box, tape 2 was missing, so while you can still listen to Come Baby Come by K7 and Swamp Thing by the Grid, everything that was on the second tape – from Searching by China Black to The Perfect Year by Dina Carroll to Return to Innocence by Enigma – is now gone.

But we all know that tape 1 side 1 was always the best part of the album and the rest was mostly tracks you’d skip.

Your New Favourite Band: tUnE-yArDs

In the second post of what disappointingly appears to be a regular series, where we find out about the people behind one of the top modern bands in the pop charts, we look at the popular beat combo tUnE-yArDs.

Brooklyn-based team Tune-Yards (usually stylised as “tUnE-yArDs”) come from Brooklyn, an area of New York, and started their career playing music in Brooklyn USA. They were founded by Prunella Squitzelberger (pictured above) who performs lead vocals and effects a sort of improvised skiffle percussion using bubble gum. The band’s first album was a particularly sparse affair, featuring only the sound of chewing, inflating and popping, interspersed with spoken word recitals of Squitzelberger’s own abstract poetry, but with the addition of Dupe Kingsnorth on bass and cello the act has become much more lively.

The band’s current album, “Nikki Nack”, is their third, and to date their most successful, quickly outselling 2006’s “Chewniverse” and 2010’s impenetrable effort “Doctor McCluskey’s Casebook”. It has gained plenty of airplay on radio stations across the Brooklyn, NY area, where the band is from, and has all the signs of being part of the elusive “Brooklyn Sound” that is proving so popular there.

The power behind the throne is, of course, DJ and producer Nizzle, whose cool electronic beats and occasional rhythm-free blasts of overpowering white noise lend the latest album a cool chic and an unmistakeable now-ness.

The manliest night of my life

A couple of weeks ago I had a whole new experience. Ian, long-haired co-conspirator here on the Beans, accompanied me to a pub where football was showing. Together we drank beer and looked at a small part of the TV screen that was visible where we were sitting, and talked about football and women. At times we said swear words. It was easily the manliest thing I’ve ever done.

After we left the pub, we accidentally sat on some slugs on a wet bench and recorded a moving musical tribute to the missing third member of The Beans.

Here it is, in full.