Four Word Reviews: Mr Lover Lover, The Best of Shaggy Part 1Time for another review of an album nobody wanted but which I somehow found in my postbox anyway. This month, we’re giving “Mr Lover Lover: The Best of Shaggy…Part 1” a more in-depth listen than it was ever supposed to receive.
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Four Word Reviews: The Lone Ranger1995 was an important year. It saw the release of Windows 95, which was the first occasion the Rolling Stones had ever endorsed a 32-bit operating system in a marketing stunt that wasn’t contrived at all. Goldeneye was released, which was the first movie in the James Bond franchise where the game was better than the actual film. And, of course, it was the year Suggs ran out of money and returned to the music business with the release of his debut solo album, The Lone Ranger.
It’s Time: Four Word ReviewsShoddy CDs seem to keep landing on my doormat, so it falls to me to write some more four word reviews. This time, it’s the album “It’s Time…” by Clock, widely regarded as an album nobody remembers from 1995.
If you read the sleeve notes you’ll see that Clock are “ODC MC” and “Tinka”. It was the nineties, you see, so every house band needed a rapper and a sexy dancing woman who did a bit of singing now and then. Clock were actually some blokes from Manchester who churned out house music, and drafted in the two people on the CD to sing the lyrics and be in the promotional material. That’s understandable. If I’d made this album I wouldn’t want my name associated with it either.
Mosaic: Four Word ReviewsKev and Sarah’s considered and insightful reviews of the Papples’ latest album has inspired me to do something similar with one of the presents Ian gave me for Christmas – that being the 1986 album “Mosaic” by Wang Chung.
I was particularly excited when I opened the cellophane to discover that this seems to be an original pressing which has been waiting patiently in its box since 1986, and the booklet inside is starting to show its 30 years a bit. The music inside is as fresh as ever, though. The title comes, of course, from the lyrics of the final track, in which Wang Chung tell us that the world is a mosaic upon a golden floor.
